Artist: David Bisbal
Released: 20 October, 2009
Genre: Latin pop, pop rock
Three tracks: Mi princesa, El ruido, Al Andaluz
In one sentence: A letdown after the promising Premonicion
There are some albums that require you to listen to them dozens of times before you acquire a taste for them. There are also albums that get old because you've listened to them too may times. Then there's David Bisbal's Sin mirar atras, an unfortunate waste of talent of the reality show success story.
1) The sound of Bisbal has not seemed to mature despite four studio albums (three Spanish ones and one repackaged album which contained previously released tracks from the first two with three English songs thrown in) and two live concert albums. The maturity of Bisbal's material that was beginning to be heard in the third album, Premonicion, has been erased. The sound of this album is no different from his sophomore effort, Buleria, which had more radio-friendly tracks.
2) I felt Bisbal's third album Premonicion was a step in the right direction, with a good mix of fast songs and ballads. The ballads were executed beautifully, and the fast songs, though still bears a healthy dose of cheesiness, displayed the strength of his voice.
3) I really wanted to like the album, as I want Bisbal to continue selling records and keep the Spanish music industry afloat. I am aware that it might be the type of album that would require multiple listens before it grows on you, but alas, it has been months since I downloaded the album and I still find a lot of tracks boring.
4) The first half of the album is really weak. In my repeat listens, I usually found myself looking forward to Al Andalus, the 7th track, which meant I had to go through six songs lest I hit on fast forward, which I almost always did. After the 1st track, the upbeat, first single Esclavo de sus besos, the album suffers a lull, as the songs coming one after another sound alike. Even the album's title track is ho-hum.
5) Things start picking up, as mentioned, in track number 7, the flamenco-tinged Al Andalus, followed by Cuando hacemos el amor, which more or less holds the momentum. In the next track, Bisbal's vocals finally soar in El ruido, a song penned by another Operacion Triunfo alumna, Vega.
6) The next track is the latest single of the album, 24 horas. The '60s feel of the song is a bit weird for me. Not as ghastly as the songs in the first half of the album, though .
7) After another cannon fodder track comes the second single to be released in the album, Mi princesa, a very beautiful song with the sweetest lyrics. I don't know why, but I kind of noticed some weird phrasing/breathing bits by Bisbal in some portions of the song. Anyway, it should have been the last track of the song, just to ensure that the album leaves a good taste in the mouth (or some good notes in the ear).
8) But no! There is a bonus track, Sufriras, a duet with British singer Pixie Lott. I do not really know what to feel about the song. It sounds like a song being played in a really cheesy Eastern European discotheque. What the heck were the record's producers thinking of when they included this bonus track? Couldn't they have let Bisbal work with David Guetta? Or one of 'em Dutch DJs? Totally unnecessary waste of 3 and a half minutes of the listener's time.
This so-so effort led me to the conclusion David Bisbal's best album is still his third, Premonicion. Two or, at my most generous, four songs may qualify as tracks to be included in a David Bisbal Greatest Hits compilation in the future. The more interesting tracks are few and clumped together in the middle. Sin mirar atras is NOT one of those albums you would really like to listen to over and over again. It doesn't even reach a point of some songs sounding old fast. Some of them are just plain boring no matter how many times you've listened to them.
Final verdict: The guy is infintely talented, no doubt. What he needs is a good album producer.
My rating: Obsessed / Love / Hooked / Like / Ambivalent / Irritated / Hate / Avoid at All Cost
Background on the singer:
David Bisbal, known for his curly locks and powerful belting voice, started as a contestant in the first edition of Spain's Operacion Triunfo, Endemol's version of the Pop Idol franchise. He eventually became the runner-up of the competition, and went on to sell a million copies of his debut album, Corazon Latino, making everyone ask who the hell Rosa Lopez is (the winner of the aforementioned competition). He became the latest member of a select group of Spanish male singers (Serrat, Sabina, Miguel Bose, the father and son Iglesias and Alejandro Sanz to name almost all of them) who have established a career across the Atlantic. His latest album, Sin mirar atras, is, as of press time, holds the 10th spot in the Spanish album sales charts, having been there for 47 weeks now. He has, so far, sold over 4.5 million copies of his seven albums worldwide.